Sound DesignExhibitionMultichannelSoundscape2017–21

Exhibitions 展演聲響設計

Immersive multichannel ambient sound design for curated exhibition spaces — from Taiwan Cultural Expo to international symposia.為策展空間設計的沉浸式多聲道環境聲響——涵蓋台灣文博會至國際研討會。

Said Archaeological Team, Taiwan Cultural Expo — Hualien Pavilion (2021) — Immersive multi-channel sound design for the exhibition hall.

Your City Color, Opera House New Arts Project (2019) — Sound design for an immersive panoramic artwork.

Non-Ending-Space (2017) — Invited to present at the WOCAT 2017 International Electronic Music and Audio Technology Symposium.
據說考古隊|台灣文博會——花蓮館 (2021) — 為展覽館空間進行沉浸式多聲道聲音設計。

你的城市顏色|歌劇院光之曲幕計畫 (2019) — 為包覆式全景沉浸投影作品進行聲音設計。

Non-Ending-Space (2017) — 受邀於 WOCAT 2017 國際電子音樂與音響技術研討會發表。

Spatial Sound Designer / PerformerOlifa Hsieh
2021 Taiwan Cultural Expo Hualien Pavilion8.2 Multi-channel Immersive Audio Design & Live Solo Performance
2023 World Hakka Expo Hsinchu PavilionDiagonal Hakka Mountain Chants & Tower Monophonic Design
展場空間聲音設計 / 即興演出謝瀞瑩 Olifa Hsieh
2021 臺灣文博會花蓮館《據說考古隊》8.2 聲道沉浸聲景與現場即時電聲獨奏
2023 世界客家博覽會新竹縣館《信念匯聚之塔》對角山歌對唱聲場與塔內單聲道鐘聲設計
  • Immersive Environment Audio-Visual Mapping
  • Site-Specific Multichannel Sound Design
  • Algorithmic Ambient Soundscape Synthesis
  • 沉浸式環境光影影像映射與聲音同步
  • 場域特定之多聲道聲音設計
  • 演算法驅動之環境聲景合成技術